Friday, January 31, 2020

Contrast Japanese Families with US Essay Example for Free

Contrast Japanese Families with US Essay Japanese and U. S. families have many dissimilarity one of this the family concerns, role of the family towards raising and education and wedding ceremony practiced in Japan and American people. These can be read in the next paragraph. Family Concern The Japanese family is concern with their children and their aging grandparents. Greenfield Cocking, (1994) point out the practice of â€Å"collectivism† as also reveal by Naito Gielen, this volume. The children obey their parents and they are dependent on their parents. The children must not only obey the parents and grandparents, but must observe among themselves the domestic law of seniority: thus the younger brother should obey the elder brother, and the younger sister the elder sister. At the same time, Japanese parents have a strong expectation that the oldest son will take care of them when they get old. (Kagitcibasi, 1996) This is why the Japanese parents don’t encourage children to be independent as much as American parents do. The grand parents share their experiences and wisdom with grandchildren and provide unconditioned love. In return the children respected, and appreciated learning from them. While the U. S. families the individualism is develop. (Naito Gielen, p. 10) Children are encouraged to be independent and individual. During teenage years, children tend to emphasize â€Å"self† too much, and ignore â€Å"others† as emphasized by Naito and Gielen. American teenagers’ rebel against rules to gain freedom is independent and individual to them. The author further added that the parents need to fight through against â€Å"freedom without rules and responsibilities† that children insist on holding â€Å"Individual right protected under the Law†. (American Family Tradition 2006). The children allowed going to the party alone although the parent sets the time but they cannot force their children’s to go home early. The early freedom they give from their children’s is a preparation for their being responsible. Roles in the family In Japanese raising children, supervising their educations, do some household chores and other home accounting are a sole responsibility of the mothers’. The father will provide a monthly income needed for the family. They have their grandparents living with them. The grandparents still support the married children. In contrast the American families raise their children with a shared responsibility of a mother and father. Both parents participate in their children’s school activities when they need their presence. The household works are shared by both parents. Fathers often take the financial matters however the mothers also shared some depending on their agreement. Wedding Ceremony Excerpted in the Mothra Online Organization in Japan â€Å"The Japanese wedding ceremony they called it Shinto wedding and is performed before a Shinto sanctuary, set up for the occasion unless the wedding takes place in a Shinto shrine. It is preside by a Shinto priest who first holds the purification service of all present. After a ritual by the priest, reporting to olds on the marriage and requesting their lasting favors on the newly-weds it is now customary for the bridegroom to read an oath to keep faithful and obedient to each other in the married life. The oath may be given by the go-between in behalf of the new couple. The San-San-Kudo or ceremony of the Three-Times-Three Exchange of nuptial cups is then performed by the bridegroom and bride. The bridegroom and bride proceed to the sanctuary to offer twigs of Sakaki sacred tree in worship to gods to end the main part of the wedding ceremony. Drinks of Sake are then exchanged between members and close relatives of the both families to signify their union through the wedding†. According to Shizuko Mishima, Non-family members dont usually attend the marriage ceremony itself; rather they go to the wedding reception, called Kekkon Hiroen in Japanese. This very different in American wedding, the Wedding Ceremony is most often performed as part of a religious ceremony each with its own specific customs and traditions. On the day of the wedding the Groom does not see the Bride until the actual ceremony. As Custom would have it from Victorian Times: the Bride wears Something Old, Something New, Something Borrowed, Something Blue, and a Sixpence in her shoe. Finally, a ring is exchanged to mark the permanent commitment of the new spouses to each other. (American Family Tradition 2006). It was perform by a priest or a pastor depending on the religious belief agreed by the groom and bride. Conclusion As read and figured by the different author that there are lots of differences that American and Japanese exhibit. They have different upbringing when it comes to children for the Japanese practice collectivism still supporting the children even if they have graduated college. With the contrasting American, that practice individualism preparing their children for early independence. All the disciplines on how to deal different family practices are sacrifice on the part of the parents. But the culture has great influence on all this issue.

Thursday, January 23, 2020

Television Violence :: essays research papers

Television Violence The article â€Å"Television Violence: The Power and the Peril† is an article written by George Gerbner in 1994 that covers information about television violence over a period of twenty one years. Gerbner’s purpose in this article is to address the audience about the problems that exist in television today. This article covers a very big controversy that has brewed up in our society. The controversy is that there is way too much violence on television, and therefore it could be affecting the way that we think and act on a regular basis. In this article Gerbner presents the audience with poll results and statistics about what we actually see on television.   Ã‚  Ã‚  Ã‚  Ã‚  I thought Gerbner’s article was a very affective piece about television violence. Although I thought this article seemed to a little repetitive and confusing at times, I think Gerbner does a good job in presenting the audience with bunches of facts about what we are actually watching on our television. The most appealing thing about this article in my opinion is the fact that the study in this article was a study that took over twenty years. In twenty one years of research, someone can get a real feeling of what is actually happening. Gerbner is real effective in getting his point across about the abundance of violence on television. Cherry 2  Ã‚  Ã‚  Ã‚  Ã‚   First, I think Gerbner is most affective in this article with the facts and evidence from the Cultural Indicators project (CI), which began in 1967. This shows that â€Å"by 1994 its computer archive contained observations on 2,816 programs and 34,882 characters coded according to many thematic, demographic and action categories† (Gerbner 15). From this study they were able to break down characters in shows from their behavior, their ethnic background, or even their social status. This study shows that â€Å"average viewer of prime time television drama sees in a typical week an average of 21 criminals arrayed against an army of 41 public and private law enforcers. There are 14 doctors, 6 nurses, 6 lawyers, and 2 judges to handle them† (Gerbner 16). To go with these characters, there is â€Å"an average of 150 acts of violence and about 15 murders† (Gerbner 16) that happen every week.   Ã‚  Ã‚  Ã‚  Ã‚  Gerbner’s article is also affective because he does not fail to leave anything out. Every counter argument that could be derived from this article, I think is covered by Gerbner. Television Violence :: essays research papers Television Violence The article â€Å"Television Violence: The Power and the Peril† is an article written by George Gerbner in 1994 that covers information about television violence over a period of twenty one years. Gerbner’s purpose in this article is to address the audience about the problems that exist in television today. This article covers a very big controversy that has brewed up in our society. The controversy is that there is way too much violence on television, and therefore it could be affecting the way that we think and act on a regular basis. In this article Gerbner presents the audience with poll results and statistics about what we actually see on television.   Ã‚  Ã‚  Ã‚  Ã‚  I thought Gerbner’s article was a very affective piece about television violence. Although I thought this article seemed to a little repetitive and confusing at times, I think Gerbner does a good job in presenting the audience with bunches of facts about what we are actually watching on our television. The most appealing thing about this article in my opinion is the fact that the study in this article was a study that took over twenty years. In twenty one years of research, someone can get a real feeling of what is actually happening. Gerbner is real effective in getting his point across about the abundance of violence on television. Cherry 2  Ã‚  Ã‚  Ã‚  Ã‚   First, I think Gerbner is most affective in this article with the facts and evidence from the Cultural Indicators project (CI), which began in 1967. This shows that â€Å"by 1994 its computer archive contained observations on 2,816 programs and 34,882 characters coded according to many thematic, demographic and action categories† (Gerbner 15). From this study they were able to break down characters in shows from their behavior, their ethnic background, or even their social status. This study shows that â€Å"average viewer of prime time television drama sees in a typical week an average of 21 criminals arrayed against an army of 41 public and private law enforcers. There are 14 doctors, 6 nurses, 6 lawyers, and 2 judges to handle them† (Gerbner 16). To go with these characters, there is â€Å"an average of 150 acts of violence and about 15 murders† (Gerbner 16) that happen every week.   Ã‚  Ã‚  Ã‚  Ã‚  Gerbner’s article is also affective because he does not fail to leave anything out. Every counter argument that could be derived from this article, I think is covered by Gerbner.

Wednesday, January 15, 2020

Night World : Witchlight Chapter 16

We were so careful, she thought, setting up wards three days early and having agents watch the house. Nothing got inside during those three days; we were sure of that, and so we thought we were safe. But we didn't stop to think-what if the dragon was already inside when we put the wards up? Brett. He's the dragon. It could take on any shape, assume any animal's form, and know all that the animal knew. A human being was an animal. So why couldn't it touch a human and know all the human knew? It would be the perfect disguise. And we all fell for it, Keller thought. I knew there was something creepy about him, but I just put it down to him being obnoxious. And he's been here all the time, inside the wards, laughing at us, waiting for Iliana to come. And Iliana's with him right now. Keller felt sure of that in her gut. She wanted to throw herself against the door again, but that wouldn't do any good. She needed to be calm now, to think, because she couldn't afford to waste any time. The window. Keller tried to open it, looking down at a hedge of rhododendron bushes below. The sash was stuck, nailed fast. But it didn't matter. Glass was more breakable than wood. She stepped back and changed. Melting, flowing, jumpsuit becoming fur. Tail shooting free. Ears. Whiskers. Heavy paws thumping down. A single long stretch to get used to the new body and being on four feet instead of two. She was a panther, and she felt good. Strong and mean. Her muscles were like steel under her soft coat, and her big paws were twitching to bat someone silly. That dragon would be sorry he'd ever messed with her. With a rasping yowl that she couldn't help, she gathered herself and sprang straight at the window. The full weight of her panther body hit the glass, and it shattered, and then she was flying in the cold night air. She got cut. Panthers actually had thin and delicate skin compared to other animals. But she was indifferent to the pain. She landed and took off running, shaking her paws in flight to get rid of little bits of glass. She raced around the mansion, looking for a place to enter. Eventually, she found a low, unshuttered window, and once again, she gathered herself and jumped. She landed in a sitting room with glass falling all around her onto a fine, old carpet Brett. And Iliana. She would smell them out. She lifted her muzzle, smelling currents in the air. At the same time, she expanded her sense of hearing to its fullest. No Iliana. She couldn't get even a whiff of her. That was bad, but she would try again from the game room, where Iliana had been last. That was where she was going anyway, because that was where Brett was. Not Brett, she reminded herself as she loped through corridors and rooms. The dragon. She raced through the ballroom and heard a scream. She barely turned her head to notice a girl standing frozen, just lifting her hand to point. The college band crashed to a halt, almost as one, except the drummer, who went on playing for a moment with his eyes shut. Keller ignored them all, running at top speed and leaping down the stairs, her heavy front paws hitting the carpeted floor first, then her back paws hitting almost on either side of them. Each spring propelled her into the next. She burst into the game room. For an instant, she stood still, taking in the scene. She wanted to make sure with her eyes that what her ears and her nose told her was true: Iliana wasn't here. It was true. Winnie was missing, too, and Keller couldn't smell them anywhere. Then someone spotted her, a full-grown panther, jet black, with glowing eyes and long teeth just showing as she panted gently, standing in the doorway with her tail lashing. â€Å"Oh, my God!† The voice soared over the babble. â€Å"Look at that!† Everyone looked. Everyone froze for an instant. Chaos erupted. Girls were screaming. Boys were yelling. Plenty of boys were screaming, too. They saw her, and they fell over themselves, diving for the exits or for hiding places. They poured out of the room, dragging each other, sometimes trampling each other. Keller gave a loud, snarling yowl to help them on, and they scattered like chickens. The only one Keller cared about was the Brett-dragon. He turned and ran down a corridor. Luring her? He must be. Maybe he didn't realize she had found out yet Maybe he had some reason for continuing the charade. She threw her head back and gave a snarl that resounded through the house. It wasn't just anger. It was calling Nissa and Galen. If they could hear her, they would understand and come running. Then she took off after the dragon. As she loped down the corridor, she changed again. This time, she couldn't just try to kill him; she needed to be able to talk. But she also needed her claws, so she changed to her half-and-half form, fur shriveling off her arms, body rearing up to run on booted feet, hair flying out behind her. The dragon was almost at the end of the corridor when she jumped him. She knocked him down and rolled him over, straddling him. She was braced to feel the agony of the dark power crackling through her, but it didn't come. She pinned his arms and showed her teeth and screamed in his face. â€Å"Where is she? What did you do with her?† The face looked back at her. It looked just like Brett, just like a human. It was sickly white, with rolling eyeballs and spittle at the corners of the mouth. The only answer she got was a moan of what sounded like terror. â€Å"Tell me! Where is she?† â€Å"-it's not my fault†¦Ã¢â‚¬  â€Å"What?† She lifted his body and banged it down again. His head flopped on his neck like a dead fish. He looked like someone about to faint Something was wrong. â€Å"She's in the bedroom with my parents. They're all asleep-or something-â€Å" His forehead. When she shook him, his hair flew around. It was uncharacteristically messy, but the forehead underneath was smooth. â€Å"I couldn't help it He did something to my brain. I couldn't even think until a few minutes ago. I just did what he told me to do. I was like a robot! And you don't know what it was like, having him in the house the last three days, and feeling like a puppet, and when he let go a few minutes ago, I thought I was going to be killed-â€Å" The babbling went on, but Keller's mind had disengaged. She had lots of thoughts all at once, like layers in a parfait. Chalk up another ability for dragons: telepathic mind control. Of weak human subjects, anyway. Nissa was right* the Night World did know what had happened in the music room. The substitution was probably made right after that. They could have grabbed Jaime on her way back to class. The car incident was designed to make us sympathetic and to lull our suspicions before they began. We thought of her as a victim. The doctors at the hospital must have been controlled, too. They had to have been-they'd looked at Jaime's head. Jaime's headaches have kept her at home for the past three days, so she never had to cross the wards. Diana trusts Jaime implicitly and would go anywhere with her without a fight Jaime wears bangs. And on the last layer, rushing at her cold and sharp as crystal: Jaime is the dragon. Jaime is the dragon. A vast, silent calm seemed to have filled Keller. She felt as if there was too much space inside her head. Very slowly, she looked down at Brett again. â€Å"Stop talking.† It was almost a whisper, but his gabble stopped as if she'd turned off a faucet â€Å"Now. Who's in the bedroom with your parents? Your sister?† He nodded, terrified. Tears spurted out of his eyes. â€Å"Your real sister.† He nodded again. They must have brought her in sometime, Keller thought. Certainly before we put the wards up and started checking cars, maybe even before the fake Jaime got back from the hospital. Why they'd kept her alive was a mystery, but Keller didn't have time to worry about it â€Å"Brett,† she said, still in a careful whisper, â€Å"what I want to know is where Iliana is. Do you know where she's been taken?† He choked. ‘1 don't know. He didn't tell me anything, even when he was in my mind. But I noticed-4here were some people down in the cellar. I think they were making a tunnel.† A tunnel. Under the wards, of course. So we were made fools of twice. She had to grit her teeth to keep from screaming. The floor plan of the house was a blur in her mind. She hauled Brett up by his shirt and said, â€Å"Where's the basement door? Show me!† Ic-can't-â€Å" â€Å"Move!† He moved, staggering. She followed, pushing him along, until they got to a door and stairs. Then he collapsed. â€Å"Down there. Don't ask me to go with you. I can't. I can't look at him again.† He huddled, rocking himself. Keller left him. Three stairs down, she bounded back up and grabbed him by the shirt. â€Å"That phone call from Iliana's mother-does he really have the baby?† She need to know if it came to bargaining. â€Å"I don't know,† Brett moaned in a sick voice. He was clutching his stomach as if he were wounded. â€Å"There wasn't any phone call, but I don't know what he's been doing.† He threw her a desperate look and whispered hoarsely, â€Å"What is he?† Keller dropped him. â€Å"You don't want to know,† she said, and left him again. She took the stairs very quietly but very quickly. Her senses were open, but the farther she went down, the less useful they were. They were being swamped by an overpowering sickly-sweet odor and by a rushing sound that seemed to fill her head. By the time she got to the last step, her fur was bristling, and her heart was pounding. Her tail stood out stiffly, and her pupils were wide. It was very dark, but details of the room slowly came into focus. It was a large furnished basement, or had been. Now every piece of furniture seemed to be broken and piled in a heap in the corner. There was a raw hole in one concrete wall, a hole that opened into a black tunnel. And the sickly-sweet smell came from piles of dung. They were lying on the floor all around, along with giant scratch marks that had dug grooves into the tile. The entire place looked like nothing so much as a huge animal's den. She couldn't sense anything alive in the room. Keller moved toward the tunnel, fast but stealthy. Ripple, freeze. Ripple, freeze. Leopards could move this way across grassland bare of cover and not be seen. But nothing jumped out to attack her. The mouth of the tunnel was wet, the soil crumbly. Keller climbed in, still moving lightly. Water dripped from the mat of roots and earth above her. The whole thing looked ready to cave in at any moment. He must have made it The dragon. Goddess knows how; maybe with claws. Anyway, he wasn't too fussy about it; it was meant to be a temporary thing. The smell was just as powerful here, and the rushing sound was even clearer. There must be an underground stream-or maybe just water pipes- very close. Come on, girl, what are you waiting for? You're a grunt, it's your job to move! Don't stand around trying to think! It was hard to make herself go deeper and deeper into that damp and confining place. Her senses were all useless, even sight, because the bore twisted and turned so she could never see more than a few feet ahead. She was heading blind and deaf into she had no idea what. At any moment, she might reach a shaft or a side tunnel where something could attack her. And the feel of the earth above her was almost crushing. She kept going. Please let her be alive. He doesn't need to kill her. He should try to make her join him first Please, please, don't let him have killed her. After what seemed like forever, she realized that the angle of the tunnel was changing. She was heading up. Then a current of air swirled to her, barely sniffable under the thick dragon smell, and it was fresh. Night air. Somewhere ahead. The end of the tunnel. A new panic invaded her. Please don't let them have gotten away. She threw aside all caution and sprinted. Up, up-and she could smell it clearly now. Cold air, unfouled. Up, up-and she could hear sounds. A yell that suddenly broke off. The voice sounded like- Galen! she thought, and her heart tore. Then she saw light Moonlight. She gathered her muscles and jumped. She scrambled out of the mouth of the tunnel. And there, in moonlight that hurt her eyes, she saw everything. A car, a black Jeep, parked under a tree. The engine running but the seats empty. And in front of it, what looked like a battlefield. There were bodies everywhere. Several were vampires in black-dark ninjas. But also on the ground were the bodies of Nissa and Winnie and Galen. So they followed, a distant part of Keller's mind said, not interfering in the slightest with the part that was getting ready for the fight. They followed the dragon-which must have done something to Winnie to get Iliana away from her. That was why I couldn't smell anybody; they all went into the tunnel while I was upstairs with brother Brett. She couldn't tell if they were dead. They were all tying very still, and there was blood on Winnie's head and on Nissa's right arm and back. Blood and daw marks. And Galen†¦ he was sprawled out full-length, with no signs of breathing. He wasn't even a warrior. He'd never had a chance. Then Keller saw something that drove the others out of her head. The dragon. It was standing near the Jeep, but frozen, as if it had just wheeled to face her. It was holding a limp figure in silvery-white casually, almost tucked under its arm. And it still looked like Jaime Ashton-Hughes. It was wearing Jaime's pretty blue dress. Its soft brown hair blew gently about its face, and Keller could feel its dark blue eyes fixed on her. But there were differences, too. Its skin was deadly pale, and something yellowish was oozing from a cut on its cheekbone. Its lips were drawn back from its teeth in a grinning snarl that Jaime never could have managed. And when the wind blew the soft hair off its forehead, Keller could see horns. There they were. Stubby and soft-looking-or at least soft on the outside, like downy skin over bone. They were so obviously real and yet so grotesque that Keller felt her stomach turn. And there were five of them. Five. The book said one to three! Keller thought indignantly. And in rare cases four. But this thing has five! Five seats of shapeshifting power, not to mention the black energy, mind control, and whatever else it's been keeping up its sleeve just for me. I'm dead. Well, she had known that from the beginning, of course. She'd known it six days ago when she first leaped for the dragon's back in the mall. But now the realization was more bitter, because not only was she dead, so was all hope. I can't kill that thing. It's going to slaughter me as easily as the others. And then take Iliana. It didn't matter. She had to try. â€Å"Put the girl down,† she said. She kept her half-and-half shape to say it. Maybe she could startle it by changing suddenly when she sprang. â€Å"I don't think so,† the dragon said with Jaime's mouth. It had Jaime's voice down perfectly. But then it opened the mouth, and basso profundo laughter came out, so deep and startling that Keller felt ice down her spine. â€Å"Come on,† Keller said. â€Å"Neither of us wants her hurt.† While she was talking, she was moving slowly, trying to circle behind it. But it turned with her, keeping its back to the Jeep. â€Å"You may not,† the dragon said. â€Å"But I really don't care. She's already hurt; I don't know if she'll make it anyway.† Its grin spread wider. â€Å"Put her down,† Keller said again. She knew that it wouldn't. But she wanted to keep talking, keep it off guard. She also knew it wasn't going to let her get behind it. Panthers naturally attack from behind. It wasn't going to be an option. Keller's eyes shifted to the huge and ancient pine tree the Jeep was parked under. Or they didn't actually shift, because that would have given the dragon a clue. She expanded her awareness to take it in. It was her chance. â€Å"We haven't even properly introduced ourselves-† she began. And then, in mid-sentence, she leaped.

Tuesday, January 7, 2020

The Government Agency Postal Service - 1512 Words

Look. You may not believe me, but you have to listen. They are after me! They want me to be killed, forgotten†¦ dead. Don’t give me that confused face, you need to help me, now! Come on, Speak to me. Okay, okay, fine, let me start all the way from the beginning. You remember when I got my first job? The postal duties. Well, that is what I sort of do now, but for the government. When I first applied for the government agency postal service, I had to complete a test to see if I was right for the job. I somehow passed. I regret It. The following day, they told me to come to the government building alone. At first I thought It was strange how they distinctively told me to go with no one else, but they told me that it was all a part of the†¦show more content†¦Above me, I saw a light slowly get brighter. It was a spotlight shining directly on me. I saw a bright blue projection appear on the wall in front of me which then cut to the silhouette of a man. With his deep solemn voice he said, â€Å"The following information is fully classified to the public. Do you accept to hear?† I said yes. He then went on to explain something extraordinary that hid right under our noses, literally. Oh God! I really shouldn t tell you the rest. Oh, um, okay. I’ll continue, sorry. So, believe it or not, Humans can live forever. Yea, I sound insane, but you must keep listening. Ever since monkeys started to evolve into humans, they began to notice that their lifetime spam expanded. The only way that they could control the rapid population growth is killing off humans. These deaths can occur in may different ways such as crashes, fires and the most common, age. Yep. All of these things are deliberately caused by the government. On the date of September 11th 2001, the government had the plan to fly a plane filled with innocent passages into the twin towers and blame it on the terrorists. They succeeded and somehow completely went unnoticed. 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